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Yannis Saoulis
& Ensemble |
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The
story "The
bastards..." he says to himself. He looks down. His shadow is as black
as his overcoat. American make. "The
bastards..." he says once more. The dagger-wound in his left side is beginning
to hurt again. He rolls a cigarette and thinks back to the scuffle. "The
baglamas!... The baglamas!..." Startled he searches his coat. The baglamas
is still in his right pocket. He takes it out and starts strumming its
strings with his right thumb. He lowers his head, looks absent-mindedly
at his yellowed fingers, the strings, the greasy sleeve, the small sound
hole... A whole world, a whole life, a host of memories! He hums a tune: 'He who is born a "meraklis"* doesn"t know
what to do; He drinks and gets drunk to recover from
the pain...' He
starts singing louder..., the sound of bouzoukis, tsourases, baglamases,
guitars reaches his ears. All together they sing: and they don"t care if they make merry summer
and winter...' Aide!!!...
Oh!!!... Aaah!!!... Everyone is dancing. And he dances with them. His
overcoat flares out dervish-like with the swirls of his dance together
with its shadows. His raised arms are waving threateningly towards the
sky. Song and dance are now reaching the intensity of an ecstasy. Angrily
and sadly they sing: 'People cannot live without passion; they should enjoy their youth before they
close their eyes...' Aide!!!...
Oh!!!... Aaah!!!... He staggers,
falls... silence... He looks around him. Nobody! He gets to his feet,
brushes the dust off his caot, picks up his baglamas, starts strumming
the strings and hums again: 'As if bewitched my thoughts take wing...' The
sun is setting, dusk begins to gather. His shadow is growing longer and
darker and disappears behind the reddish horizon. He thinks: 'If that stab had been a little higher...' No
wounds, no falls. He would have been with the others now. *
A meraklis is someone who loves life with passion and zest. Y.
Saoulis
1.
Ionia, to O me Omega (Y. Saoulis) 'Ioni‘,
with the "o" of omega.' 2.
O kapetanakis (Traditional, arr. Y. Saoulis) 'I"ll
never again be in prison with Kapetanakis.' 3.
Fovamai mi se haso (I. Papaioannou) 'The
tension of losing you keeps me awake and the night is drawing out.' 4.
O Xemangas (V. Papazoglou) I"m
fed up with the nargile. Fed up with hashish. From now on I" ll comfort
my pain in a woman"s hug, in a glass of wine. 4.
Sala Sala (traditional, arr. Y. Saoulis) First
stanza: 'Leave the fish on the fire and come ouside so that I can see
you.' 6.
O choros tis Antroulas (Y. Saoulis) Instrumental
intermezzo for little Antroula who spends her first few days in the village
of Frenaros on Cyprus. 7.
I Acharisti (V. Tsitsanis) The
grief you gave me when you left me was too much for my broken heart to
bear. RAGE! Rage is all I feel for you. 8.
Apokliros (V. Tsitsanis) 'Unhappy
I wander abroad crying for my mother whom I haven"t seen for many years.' 9.
San magemeno to mialo mou (D.
Gogos/bajianteras) 'Bewitched
my spirit flies about and every thought is for you. 10.
Choros se 5/8 (V. Tsitsanis) 'Dance
in 5/8.' 11.
I meraklides (V. Tsitsanis) 'Those
who have a zest for life do not know what to do. 12.
O amanes tis kalis nychtas..........(traditional, arr. Y. Saoulis) 'It
is time to wish good night to my good company and leave.' 13.
Manaki mou (traditional, arr. Y. Saoulis) 'Oh
girl my hearth is aching for you. You should know that things 14.
Mikra asia, chaire (Y. Saoulis) 'Goodbye
Asia Minor.' |
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